Entre lo íntimo y lo común. Paisaje y memoria en las narrativas del retorno

Autores/as

DOI:

https://doi.org/10.5195/bsj.2023.315

Palabras clave:

Espacio autobiográfico, memoria, retorno, paisaje literario, novela contemporánea latinoamericana

Resumen

Este artículo lee la obra de Maximiliano Barrientos en diálogo con un corpus de novelas publicadas desde el 2000, que se estructuran en torno a la temática del retorno y la dimensión memorial del paisaje. Entornando la noción de “espacio autobiográfico” propuesta por Leonor Arfuch, se observa la composición narrativa de paisajes como interfaces afectivas que median entre lo público y lo íntimo. 

Se analizan por un lado las estrategias de “deslinde”, que buscan desmarcar la narrativa de su deber de representación de un “nosotros” colectivo; y, por otro lado, se pone el foco en un giro hacia perspectivas intimistas que se reapropian del paisaje para utilizarlo como superficie de proyección e introspección del yo. El argumento central del ensayo es que: las narrativas del retorno, entre las cuales se incluye la obra de Barrientos con gran protagonismo, invitan a pensar los modos en que la literatura amplía, transforma e interroga los imaginarios espaciales a través de los afectos, habilitando con este gesto nuevas comunidades imaginadas y nuevas articulaciones de lo común.

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Publicado

2023-11-30

Número

Bolivian Studies Journal Vol. 29, 2023

Sección

Artículos

Licencia

Derechos de autor 2023 Estefanía Bournot

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