Felipe Delgado, otro de los Robinsones
DOI:
https://doi.org/10.5195/bsj.2021.256Palavras-chave:
Ciudad, marginalidad, memoria, obversión lógica, subterraneidadResumo
Robinson Crusoe, el extraordinario náufrago de la novela de Defoe, es en realidad una transfiguración moderna del viejo mito del hombre salvaje que este trabajo decide reavivar. Robinson es llevado por Defoe a una existencia salvaje porque debe demostrar que es posible derrotar al salvajismo en su propio terreno, transformándolo en el virtuoso homo economicus de la modernidad. Pero existen otros Robinson que cuestionan el original: el de Jean-Jacques Rousseau, y el Robinson urbano, pensado desde la novelística de Antonio Muñoz Molina. Ambos me sirven para elaborar la lectura del Felipe Delgado como la novela del Robinson marginal. Como les ocurre a algunos personajes de la novelística de Antonio Muñoz Molina, el poeta y novelista boliviano crea un Robinson urbano marginal y excéntrico que, a la deriva, sin meta racional que lo motive, conmemora secretamente sus naufragios incurables. Felipe es el Robinson de la necesidad lúcida del alcohol. Clarividente arrepentido de su porvenir, nace para la noche, espacio y tiempo que le permite hurgar en el corazón de la memoria de su ciudad.
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