“Los embrujos secretos del trópico”. Frontera amazónica y producción del espacio estatal en la obra cinematográfica de Jorge Ruiz

Autores

  • Roberto Pareja Middlebury College

DOI:

https://doi.org/10.5195/bsj.2014.77

Palavras-chave:

cuenca amazónica, culturas regionales, espacio estatal, Henri Lefebvre, Jorge Ruiz, retórica audiovisual, urbanismo

Resumo

Este artículo estudia la obra cinematográfica de Jorge Ruiz utilizando la teoría socio-espacial de Henri Lefebvre. Argumenta que sus documentales, películas etnográficas y noticieros para el cine constituyen una totalidad discursiva que presenta estéticamente la producción del espacio estatal boliviano durante el siglo XX. A partir de una retórica audiovisual que juega con nociones de verticalidad, horizontalidad y centralidad, la obra de Ruiz posiciona el espacio andino como el eje de la modernización estatal y sitúa  a la cuenca amazónica en los márgenes del estado. Concluye que hacer visible la región amazónica en el discurso de la nación tuvo como efecto el desplazamiento de los antagonismos de clase en favor del conflicto entre centro y regiones.

Biografia do Autor

Roberto Pareja, Middlebury College

Department of Spanish and Portuguese, Assistant Professor

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Publicado

2014-11-06

Edição

Bolivian Studies Journal Vol. 20, 2014

Seção

Articles

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