Imágenes paceñas: El mago de la ciudad paceña moderna

Autores

  • Tara Daly Marquette University
  • Raquel Alfaro University of Rochester

DOI:

https://doi.org/10.5195/bsj.2021.255

Palavras-chave:

Fotografía, Imágenes paceñas, Jaime Saenz, magia, montaje

Resumo

En este ensayo desenredamos lo que Jaime Saenz concibe como la “magia" de La Paz en Imágenes paceñas. Analizamos la magia desde tres ángulos complementarios. Primero, prestamos atención a la bisagra magia/inquietud. Esa primera magia es asociada en el texto con una cultura no-occidental, la aymara. Nuestro segundo punto de entrada se cruza con el primero. La Paz es movida por fuerzas ajenas y, en consecuencia, se produce una forma de habitar distinta determinada por un eje temporal opuesto a la modernidad importada. Esta suspensión del tiempo moderno también genera una temporalidad mágica. En la tercera entrada, explicamos las tensiones derivadas de la combinación de registro escrito y visual. En el montaje de escritura y fotografía, la escritura es empleada para mantener ocultos, y por eso mismo vivos, los aspectos mágicos de la ciudad. El autor así aparece como una suerte de mago, quien revela algo sólo para distraer con el fin de proteger las mismas condiciones que posibilitan su arte.

Biografia do Autor

Tara Daly, Marquette University

Profesora Asociada de Español, Co-directora del Centro de Raza, Etnicity e Indigeneidad

 

Raquel Alfaro, University of Rochester

Profesora Asistente Invitada de Español

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Publicado

2021-12-10

Edição

Bolivian Studies Journal Vol. 26-27, 2020-2021

Seção

Articles

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