The Need to Compromise Existence. Nation and Decolonization in the Bolivian Cinema of the Neoliberal Era

Authors

  • Diego Mattos Vazualdo Saint Michael's College

DOI:

https://doi.org/10.5195/bsj.2010.14

Keywords:

Community, Decolonization, Filmic Discourse, Nation Building, Subalternity

Abstract

The aim of this essay is twofold: to analyze post-dictatorial Bolivian filmic discourse on the thematic of the nation vis-à-vis processes of decolonization, and to observe the effect that this relation had in the formation of subjectivities during the so called  “neoliberal” era . Toward this end, I examine three films that reflect on the colonial condition of the nation through cinematographic language: Mi socio (Paolo Agazzi, 1982), La nación clandestina (Jorge Sanjinés, 1989), and American Visa (Juan Carlos Valdivia, 2005). 

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Published

2011-01-15

Issue

Bolivian Studies Journal Vol. 15-17, 2008-2010

Section

Articles

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