Algunas reflexiones desde la acuarela de Mario Conde

Autores

  • Pamela Romano

DOI:

https://doi.org/10.5195/bsj.2012.61

Palavras-chave:

acuarela, barroco andino, cultura del simulacro, estética postmoderna, ética de la copia, remiendo andino descolonizador

Resumo

Esta breve reflexión sobre la obra de Mario Conde se inicia poniendo atención en la relación particular que tiene el pintor con la técnica de la acuarela, desplegando desde esa relación una ética basada en la copia. Desde esa materialidad Conde concretiza su respuesta al momento posmoderno en que se desarrolla el arte en general, y el boliviano en particular dadas sus condiciones sociales actuales. La ética de la copia es explorada especialmente en dos de sus obras: “Ángel exterminador” donde la copia aborda temáticas coloniales que retornan para poner en cuestión y entredicho la noción de patria, y “Ebrios de poder (Géricault en Los Andes)” donde la copia adaptada a latitudes andinas destila un deseo de restablecer el carácter sagrado y aurático de la obra de arte como del imaginario andino.

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Publicado

2012-11-08

Edição

Bolivian Studies Journal Vol. 19 (2012-2013)

Seção

Articles

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