"Almha La Vengadora": Protagonista del indigenismo de neovanguardia alteño

Autores

  • Maria Irina Soto-Mejia Investigadora Independiente

DOI:

https://doi.org/10.5195/bsj.2015.128

Palavras-chave:

Crispín Portugal, El Alto, Grupo Orkopata, indigenismo de vanguardia, literatura aymara, Yerba Mala Cartonera

Resumo

Este artículo discute la obra de Crispín Portugal (1976-2007), un escritor alteño, en el contexto de la lucha contra la pobreza y el racismo que enfrentan a las ciudades de El Alto y La Paz, y del movimiento en contra del mercado  que comenzó en Argentina produciendo libros con tapas de cartón compradas a los cartoneros. Portugal y otros escritores indígenas iniciaron un proyecto editorial llamado Yerba Mala Cartonera, que cuenta con su propio blog, para diseminar la literatura boliviana que no cuenta con otros medios de difusión. A través de la revisión de un cuento de Portugal (Almha La Vengadora) que describe a una chola luchadora de El Alto cuyo nombre en el cuadrilátero es “la vengadora”, este trabajo plantea la configuración de un indigenismo alteño de neovanguardia equiparable al vanguardismo de Gamaliel Churata.  Con este propósito, presta especial atención a El Alto –la ciudad indígena más grande de Latinoamérica- situándolo como escenario clave para el desarrollo de una neovanguardia que se alimenta del neoliberalismo fallido para configurar una propuesta de modernidad que recupera el pasado indígena aymara para inventar otras formas de futuro.

Biografia do Autor

Maria Irina Soto-Mejia, Investigadora Independiente

Irina Soto-MejíaMA in Spanish, Latin American Literatures and CulturesIndependant researcher on Memory, Migration and Globalization

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Publicado

2016-03-17

Edição

Bolivian Studies Journal Vol. 21, 2015

Seção

Articles

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