Cosmopolitismo y neobarroco en la narrativa de Adolfo Cárdenas Franco

Autores

  • Alberto David Rivera-Vaca University of Central Arkansas

DOI:

https://doi.org/10.5195/bsj.2015.136

Palavras-chave:

Cosmopolitismo hispanoamericano, oralidad, procedimientos narrativos neobarrocos, sectores marginales de la sociedad boliviana

Resumo

Este artículo examina la primera etapa de la obra narrativa de Adolfo Cárdenas Franco, desde la colección de cuentos Fastos marginales (1989), hasta su primera novela, Periférica Blvd. Ópera rock-ocó (2004). En el análisis, se toma en cuenta el uso que hace el autor de procedimientos narrativos identificados como neobarrocos y practicados durante el periodo del cosmopolitismo hispanoamericano (1880-1940). Cárdenas experimenta con la representación oral del habla de los sectores marginales de la sociedad, especialmente de La Paz, y su narrativa se distingue por una teatralidad neobarroca constituida por procedimientos visuales y de representación sonora. El complejo resultado de esta representación demanda la activa participación del lector.                                                                                                                                                                                                                                                                                                  

Biografia do Autor

Alberto David Rivera-Vaca, University of Central Arkansas

Visiting Assistant Professor of Spanish
Department of Languages, Linguistics, Literatures and Cultures

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Publicado

2016-03-17

Edição

Bolivian Studies Journal Vol. 21, 2015

Seção

Articles

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