La necesidad de comprometer la existencia. Nación y descolonización en el cine boliviano de la época neoliberal

Autores/as

  • Diego Mattos Vazualdo Saint Michael's College

DOI:

https://doi.org/10.5195/bsj.2010.14

Palabras clave:

Comunidad, Construcción de la Nación, Descolonización, Discurso Fílmico, Subalternidad

Resumen

El objetivo principal del presente ensayo es analizar la reflexión que se da en el discurso fílmico boliviano post-dictatorial sobre la temática de la nación en relación a procesos de descolonización; al mismo tiempo, observar el efecto que dicha relación tuvo en el proceso de formación de subjetividades durante la nueva época denominada “neoliberal”. Para ello, acudo a la lectura de tres películas que de distintas maneras reflexionan la condición colonial de la nación a través del lenguaje cinematográfico: Mi socio (Paolo Agazzi, 1982), La nación clandestina (Jorge Sanjinés, 1989), y American Visa (Juan Carlos Valdivia, 2005).

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Publicado

2011-01-15

Número

Bolivian Studies Journal Vol. 15-17, 2008-2010

Sección

Artículos

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