Blanca Wiethüchter: des-nombrando el paisaje. Políticas y poéticas de la representación en la década de los 80 en Bolivia

Autores/as

  • Mauricio Duarte Case Western Reserve University

DOI:

https://doi.org/10.5195/bsj.2010.13

Palabras clave:

Bolivia (1952-1982), Década Perdida, Espacio Urbano Andino, “Lenguajes Recordantes”, Memoria Cultural, Mestizaje, Paisaje Andino, Políticas Estéticas

Resumen

Este artículo examina la relación entre la escritura poética y el discurso del paisaje en Madera Viva y árbol difunto (1982) de Blanca Wiethüchter (1947-2004). A menudo el paisaje es entendido como un mecanismo moderno de representación normativa en la cual los sujetos y los lugares son clasificados simplemente como propiedad privada. Nuestro argumento propone que la poesía de Wiethüchter establece una contra-narrativa del paisaje a través del uso de una mirada poética que reinstala imaginarios sociales y marginales al reconocer la materialidad del paisaje y, más aún, el rol político de la imaginación en la configuración del sentido de realidad. Al proponer lo anterior, se muestra cómo Wiethüchter usa el lenguage poético para reclamar realidades múltiples y conflictivas anquilosadas bajo la armónica apariencia de las cosas. Finalmente, al analizar la obra poética y crítica de Wiethüchter en diálogo con pensadores como García Linera, Mamani, Zavaleta Mercado y Rivera Cusicanqui, este trabajo contribuye a las investigaciones realizadas en torno a la política de la representación en la Bolivia de 1980. 

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Publicado

2011-01-15

Número

Bolivian Studies Journal Vol. 15-17, 2008-2010

Sección

Artículos

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