La ética intersubjetiva de la poética de Julieta Paredes

Autores/as

  • Tara Daly University of California, Berkeley

DOI:

https://doi.org/10.5195/bsj.2010.1

Palabras clave:

Asamblea Feminista, Comunidad, Espacio Público, Ética Poética, Ética y Política del Cuerpo, Feminismo, Graffiti, Mujeres Creando

Resumen

Este trabajo explora los modos en que la poesía de Julieta Paredes y los performances callejeros del colectivo feminista Mujeres Creando catalizan discusiones en torno a una ética intersubjetiva en los Andes. Comienzo discutiendo la subjetividad como situada en el inextricable espacio entre la corporeización y la textualidad, entre las cualidades físicas de cuerpos que respiran y su subsecuente categorización en lengua y textos. En segundo lugar, sostengo que el énfasis que Mujeres Creando y Paredes ponen en el “cuerpo” como sitio de resistencia activa a la normatividad social, contribuye a la creación de lo que Emmanuel Levinas llama una “poética viva”.

Se trata de una poética menos interesada en producir un decir congelado, fijado en el lenguaje, que en crear un decir que respira, que se mueve, conforme es perpetuado a través del diálogo hablado. De aquí la necesidad de una ética poética, que emerge de las condiciones coloniales que han creado definiciones del ser humano y el “menos que” o “distinto a” que a menudo se basan en clasificaciones físicas superficiales. En última instancia, mostraré que a través de su trabajo, Mujeres Creando y Julieta Paredes amplían el potencial de una comunidad más inclusiva basada en la responsabilidad y el respeto mutuo, sin importar la raza, el sexo, o la sexualidad.

Biografía del autor/a

Tara Daly, University of California, Berkeley

This is my Bio Statement.

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Publicado

2011-01-15

Número

Bolivian Studies Journal Vol. 15-17, 2008-2010

Sección

Artículos

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