Violeta Parra and Matilde Casazola: Muchedumbre, Bastardism and Journey to the Seed

Authors

  • Magela Baudoin University of Oregon

DOI:

https://doi.org/10.5195/bsj.2023.314

Keywords:

Poetry, popular song, autobiographical writings, multitude, bastardism

Abstract

There are writings that are “multitude,” “muchedumbre,” like those of Violeta Parra (Chile, 1917-1967) and Matilde Casazola (Bolivia, 1943). They unify in their autobiographical texts a multitude of previous voices and knowledges. Part of its enormous importance and uniqueness is given precisely by the display of these creations or “inhabited” creatures. Both eccentric artists move between lyricism and popular music, periphery and cosmopolitanism, between the museum and the “peña”, between different genres and in the border areas that characterize “bastardism” (María Galindo). In this work I will show how, practicing bastardism, these writings in multitude propose a new aesthetic form, anticanonical, which is born to be shared, plagiarized, multiplied, re-elaborated.

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Published

2023-11-30

Issue

Bolivian Studies Journal Vol. 29, 2023

Section

Articles

License

Copyright (c) 2023 Magela Baudoin

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